The Prince in Waiting trilogy (aka Sword of the Spirits) is an epic post-apocalyptic fantasy series from John Christopher, the author of books such as The Tripods and The Death of Grass. In a future Britain shattered by the Disaster (the true nature of which is revealed during the story), society has reverted to a medieval form, with the machines of the past rejected and reviled as the causes of the Disaster – anyone unwise enough to meddle with ‘ancient’ technology is put to death. All spiritual matters are dictated by the monastic-like Seers, whose role it is to interpret the will of the ‘Spirits’; Christians exist but as a marginal, often hated minority. Following the Disaster, birth defects are more common, leading to strict castes in society, with ‘true men’. ‘dwarfs’, who are permitted to work as blacksmiths to forge weapons, and the lowest social group, ‘polymufs’, who are denied many freedoms and are assigned the most menial tasks and treated as slaves. The protagonist of the books (I hesitate to say hero) is Luke, who lives in the walled city of Winchester, a powerful, militaristic realm, which regularly goes to war with neighbouring settlements. Luke becomes the Prince in Waiting, heir to the ruler of Winchester, but more than this, the Seers have planned he will be the one to unite the warring cities.
But Luke is a flawed choice – for all his undoubted bravery and fighting skills, he is ambitious, stubborn and proud, demanding complete loyalty from his subjects, especially from his closest friends. The world of this story is a treacherous one, with allies swiftly turning into enemies, and although Luke’s courage and warlike nature leads him to victories, his desire to avenge any perceived slight, any hint of disloyalty, leads him down a dark path… Consisting of three books, The Prince in Waiting, Beyond the Burning Lands and The Sword of the Spirits, this is an epic series, which cleverly threads in mythology (there’s a witty use of the tale of Tristan and Isolde at a key moment in the story), religion and science into a post-apocalyptic world. Some of the other tribes and settlements Luke encounters on his various journeys are unsettling and sometimes plain bizarre. I found Christopher’s portrayal of a violent fractured society, with dangers around every corner, compelling and the story is taut and brisk, with new wonders, and new horrors, emerging with each chapter. If you’re a fan of post-apocalyptic science fiction / fantasy, then this is certainly a series you would enjoy – I wouldn’t rate it quite as highly as John Christopher’s incredible Tripods Trilogy (which I have written about previously in this blog) but it is a fascinating companion piece and a worthwhile read in its own right. If you’re interested in finding out more about John Christopher / Sam Youd, I strongly recommend visiting the Syle Press website, which is packed with information and resources about the author and his books.
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